The creation, execution, noteworthiness, and even the meaning of music differ as indicated by culture and social setting. In reality, since forever, some new structures or styles of music have been censured as "not being music", including Beethoven's Grosse Fuge string group of four out of 1825, early jazz in the start of the 1900s and in-your-face punk during the 1980s. There are numerous sorts of music, including well known music, conventional music, craftsmanship music, music composed for strict services and work melodies, for example, chanteys. Music goes from carefully coordinated pieces, for example, Classical music ensembles from the 1700s and 1800s—through to immediately played improvisational music, for example, jazz, and vanguard styles of chance-based contemporary music from the twentieth and 21st hundreds of years.
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The music committee oversees the entire SAMA ceremony production process, along with the Steering, General Rules, and Vetting Committees. These committees are composed of unpaid volunteers from record companies and industry stakeholders. The judges are drawn from a wide spectrum to include journalists, critics, musicians, producers, and academics. There are five judges per genre category, based on the judge’s field of expertise. The judge’s anonymity is protected by the Steering committee, who ensure the judge’s do not influence each other. At the beginning of the adjudication process a Supervisory Committee is setup, It consists of two members from each of five “super genre” categories, which are Global Charts, Urban, Traditional, Technical and Jazz or Classical. The entire adjudication process takes place between September and February, with the nominees announced in March.
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ReplyDeleteIt's fascinating how subjective "music" can be! I remember my grandmother dismissing anything with a heavy beat as just "noise." It really made me think about how cultural context shapes our understanding of art. Sometimes, when I need a brain break from complex musical discussions, I just play the Dinosaur Game on Chrome. Simple, yet strangely satisfying.
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ReplyDeleteReading this reminded me of my first jazz night in a tiny club—at first I didn’t “get” it, but by the third set the improvisation felt like a conversation. Music’s meaning really does shift with context. I’ve also discovered a lot of South African artists through community playlists, so Fakaza’s curation sounds useful. When I need a quick mental break between tracks, I hop into Snow Rider 3D—it’s oddly calming and keeps me in a flow state.
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